In The Empty Space, groundbreaking director Peter Brook draws on a life in love with the stage to explore the issues facing any theatrical performance. Here he describes important developments in theatre from the last century, as well as smaller scale events, from productions by Stanislavsky to the rise of Method Acting, from Brecht’s revolutionary alienation technique to the f...(展开全部)

In a vastly overpopulated near-future world, businesses have taken the place of governments and now hold all political power. States exist merely to ensure the survival of huge transnational corporations. Advertising has become hugely aggressive and boasts some of the world's most powerful executives. Through advertising, the public is constantly deluded into thinking that all...(展开全部)

In a vastly overpopulated near-future world, businesses have taken the place of governments and now hold all political power. States exist merely to ensure the survival of huge transnational corporations. Advertising has become hugely aggressive and boasts some of the world's most powerful executives. Through advertising, the public is constantly deluded into thinking that all...(展开全部)

弗雷德里克・波尔（Frederik Pohl，1919－ ），二十世纪最伟大的科幻作家之一。他也是美国科幻发展史上最有名的编辑之一。 他从18岁开始即涉足科幻创作。1953年正式出版了其成名作《太空商人》。后来又陆续创作了《海底三部曲》、《狼毒》等脍炙人口的作 品。其作品《杰姆星》更是跨越科幻界，于1980年获得美国三大文学奖之一的全国图书奖。 他还担任过美国科幻小说作家协会主席。

It is the 20th Century, an advertisement-drenched world in which the big ad agencies dominate governments and everything else. Now Schoken Associates, one of the big players, has a new challenge for star copywriter Mitch Courtenay. Volunteers are needed to colonise Venus. It's a hellhole, and nobody who knew anything about it would dream of signing up. But by the time Mitch...(展开全部)

In The Empty Space, groundbreaking director Peter Brook draws on a life in love with the stage to explore the issues facing any theatrical performance. Here he describes important developments in theatre from the last century, as well as smaller scale events, from productions by Stanislavsky to the rise of Method Acting, from Brecht’s revolutionary alienation technique to the f...(展开全部)

这是一本伟大电影的指南，为银幕增光添彩！ 《电影书》（The Movie Book）将推出全新版本，这是一本包罗万象的指南，反映了电影的历史，从好莱坞黑白电影的黄金时代到国际艺术之家和当代杰作。这本关于电影的奇幻书是100部地震片的详细指南，为每个人提供了探索和喜爱的东西。 所以，准备好爆米花，坐下来，我们将带您踏上一段电影般的时光之旅，在本书中： -介绍了100多部有史以来伟大的电影及其背后的想法、主题和情节 -以电影中的标志性引用和评论家的引用为特色 -电影剧照和海报使电影栩栩如生。 -发人深省的图形探索了一些特色电影背后的中心思想和叙事。 -按时间顺序组织，引导读者轻松了解电影历史 《电影书》充满了华丽的剧照、精辟的语录和琐事细节，为您带来了对自己喜爱的电影的新见解，并向您介绍了世界各地鲜为人知的名著。 从20世纪早期的重要幻想家，到60年代和...(展开全部)

麦克班恩一九二六年十月十五日出生在纽约市，他的父亲是一位邮局的员工。他的本名是萨尔瓦托雷•隆比诺（Salvatore Lombino）。隆比诺自第二次世界大战服役海军期间开始写作，之后以极优异的成绩毕业于亨特学院（Hunter College），并在那里担任教职。 在五十年的作家生涯里，他以亨特或麦克班恩之名写了许多畅销的小说、短篇作品、剧本和电影脚本（包括担任希区科克的名作《鸟》的编剧）。一九五六年，他以《恨警察的人》（Cop Hater）一书开始了八十七分局系列小说，将警察小说带入了一个全新、更加写实的新领域。故事背景是一个虚构的城市艾索拉（Isola，其蓝本为麦克班恩熟悉的纽约市），而本书亦为日后的大都市警察小说定下了一个模式：充满罪恶的大都市、多重故事发展、曲折的剧情、激烈的动作场景、贫民区的暴力描写、有计划的团队合作、写实的法医程序、以及外...(展开全部)

Maintaining the standard of excellence set by the previous edition, this textbook covers the basic geometry of two- and three-dimensional spaces Written by a master expositor, leading researcher in the field, and MacArthur Fellow, it includes experiments to determine the true shape of the universe and contains illustrated examples and engaging exercises that teach mind-expandin...(展开全部)